Industrial Light & Magic - Senior Generalist
August 2022 - present

"Andor". Created by Tony Gilroy, as Senior Generalist.

- Assets and shots for S2.

"Invasion". Created by Simon Kinberg, as Senior Generalist.

"Fast X". Directed by Louis Leterrier, as Senior Generalist.

- Shot work.

"Mandalorian". Directed by Jon Favreau, as Senior Generalist.

- Asset and shots for S3. Several full cg shots.

El Ranchito - Environment Supervisor
November 2020 - August 2022

"See". Directed by Steven Knight, as Environment artist / supervisor.

- Environment artist/supervisor for S3.E8 "I see you"
- Environment supervisor for S2
- VES NOMIMATION : OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE

"Five days at memorial". Directed by Carlton Cuse, as Environment Supervisor.

- Environment supervisor
- VES WINNER 2023: OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE

"Garcia!". Directed by Eugenio Mira, as CG Supervisor.

- CG supervisor managing environments and crowds for the full season.
- Tool development
- Also acting as environment supervisor as the project was very env oriented.

ONE OF US - CG Supervisor
January 2020 - August 2020

"Bridgerton". Directed by Shonda Rhimest, as CG Supervisor.

- CG supervisor managing environments and crowds for the full season.
- Tool development
- Also acting as environment supervisor as the project was very env oriented.

DNEG- Environment / Generalists Supervisor
December 2017- January 2020

"DEVS". Directed by Alex Garland, as as Environment Supervisor for DNEG.

- Environment Supervisor for full series.

"Letter for The king". Directed by William Davies, as as Environment Supervisor for DNEG.

- Environment Supervisor for full series.

"Dark Crystal". Directed by Louis Leterrier, as Environment TD.

- Technical Shots with Houdini for final episode.

"Fast and Furious Presents: Hobbs & Shaw". Directed by David Yates, as Environment Supervisor for DNEG.

- Environment Supervisor for London sequences.
- Tool development
- DMP & CG Artist for over 30 shots.

"Fantastic Beasts: The crimes of Grindelwald". Directed by David Leitch, as Environment Supervisor for DNEG.

- Environment Supervisor for all Dneg shots. (EnvTDs and DMP artists)
- Tools and Master setups development.

DNEG- DMP Supervisor
May 2017 to December 2017

"Pacifc Rim: Uprising". Directed by Steven S.Deknight, as DMP supervisor for DNEG.

- DMP Supervisor for MegaTokyo Sequence.
- Tool development
- DMP & CG Artist for over 40 shots.

MPC- Lead Environment Artist
February 2016- May 2017

"Transformers 5. The Last Knight". Directed by Michael Bay, as lead DMP/Environment TD for MPC.

Actually working as team lead for the environment department.

"Passengers". Directed by Morten Tyldum, as lead DMP/Environment TD for MPC.

A years' work. Team lead, DMP and environment TD artist work.

MPC- Senior Digital Matte Painter & Environment TD
March 2015 -February 2016

"The Martian". Directed by Riddley Scott, as senior DMP/Environment TD for MPC.

Worked as senior 3ddmp artist. My main tasks were:
- DMP for a few shots.
- Building a tool for nuke to create shot based procedural clouds
- Some generalist tasks (adding beards...)

"The Jungle Book". Directed by Jon Favreau, as DMP/Environment TD for MPC.

Still in progress, so can't say much. Combining artist work and a lot of rnd...

MPC- Digital Matte Painter & Environment TD
March 2014 - April 2015

"Guardians of the Galaxy". Directed by James Gunn, as DMP/Environment TD for MPC.

Worked in two builds, Xandar & Crashsite, doing artist work (texturing, lookdev and paintovers) as well as pure TD tasks (layout, projections, render optimization). As a specialist in vray (used in many environment renders), I helped with the render of Xandar city as one of the biggest builds developped in MPC.

Using Maya (vray), Mari, Photoshop and Nuke.

"Exodus, Gods and Kings". Directed by Ridley Scott, as DMP/Environment TD for MPC.

Worked in several shots for the cofete road and the beach sequence. As artist, doing modeling, texturing and lookdev as well as DMP work. As a TD I only helped troubleshooting render passes, deep passes, stereo shots and multicamera projections.

Using Maya (vray), Mari, Photoshop and Nuke.

"Automata". Directed by Gabe Ibáñez, as DMP/Environment TD sequence lead for Worldwide FX.

Worked as sequence lead for the canyon, with over 180 shots. Modeling, texturing, lookdev&lighting, dmp and comp. I did several nuke tools for the sequence management, projection rendering and pass compositing.

Using Maya (vray),Zbrush, Vue Xstream, Photoshop and Nuke.

"The Expendables 3". Directed by Patrick Hughes, as DMP/Environment TD for Worldwide FX.

Shortly worked doing 3d setup and concept matte painting for the initial stage of the film.

Using Maya, Photoshop and Nuke.

"Hercules, the legend begins". Directed by Renny Harlin, as DMP/Environment TD for Worldwide FX.

Responsable for the city of Tyrins CG environments. Done entirely except for crowds & simulations. From layout, modeling, texturing, lighting, paintover, DMP and comp.

Using Maya (mental ray), Photoshop and Nuke.

"Montana". Directed byMo Ali, as compositor for Atomic Arts.

Working in the sauna sequence. Doing cleanup, ambience, gunshots and tracking.

Using Nuke.

"47 Ronin". Directed by Carl Rinsch, as Tracker for Framestore.

Stereo matchmoving, body tracking, object tracking and layout modeling.

Using 3DEqualizer, maya and nuke.